Every canvas begins with unbleached flax woven in Courtrai, stretched over custom tulipwood stretchers and sized twice with warm rabbit-skin emulsion. The surface retains microscopic tooth, allowing cold-pressed oils to sink evenly without cracking.
Pigments are sourced directly from historical quarries in Cyprus, the Roussillon basin, and Badakhshan. Grinding with a heavy glass muller yields particle sizes that refract ambient daylight rather than absorbing it.
A painting is an architectural instrument that reorganizes daylight inside a quiet room.
Color is treated not as ornament, but as weight, mass, and edge. Layers are applied across months, allowing natural oxidation to reveal sub-surface geometry.
Institutional records
Zurich & Berlin (2016-2019)
London Studio Founding (2020)
Recent Institutional Shows (2022-2024)
Formative research into geometric spatial order and mineral binders under the residency program at Kunstraum Kreuzberg.
Establishment of the permanent East London workshop, focusing exclusively on large-scale linen works and architectural commissions.
Solo presentations with Galerie St. Germain and inclusion in corporate collections across Kyoto, Basel, and New York.